What You Need to Know About the Manson Family Murders

History
پنجشنبه 3 مرداد 1398 ساعت 19:3
618
Smith sonian mag
In Once Upon a Time in Hollywood , the new film from director Quentin Tarantino, an actor and stuntman (played by Leonardo DiCaprio and Brad Pitt, respectively) find themselves living next door to beautiful actress Sharon Tate (Margot Robbie). It’s the summer of 1969, and what none of the characters know is that Tate and five others will soon be brutally murdered by members of the Manson Family, the cult led by Charles Manson that would become, for many, the ultimate symbol of the dark side of the 1960s.
In Tarantino’s film, Manson and members of the Family loom in the background, an ominous presence haunting the painstakingly recreated Los Angeles landscape. As the 50th anniversary of the Manson Family’s crimes approaches, here’s a primer that attempts to untangle the who, what, where, and why of the case.
Who was Charles Manson?
Born in 1934 to a teenaged mother, Charles Manson’s early childhood and young life was spent bouncing around between relatives and, later, in and out of institutions in the Midwest. In his early 20s, he married twice and fathered a son. Manson was considered so thoroughly institutionalized by authorities that upon his 1967 release from a California prison, he asked the warden if he could stay.
Instead, Manson migrated to Berkeley and then San Francisco, cities that became flooded with young people looking to embark on a new way of life. An older figure among the crowd, he amassed a small group of followers (almost entirely women) and, in 1968, headed along with several female followers to Los Angeles to pursue a music career, having learned to play the guitar in prison. Manson’s tools of persuasion were the lax social codes of the late 1960s, in which runaway hippies mingled freely with Hollywood royalty, and his ability to tell others what they wanted to hear, both of which he parlayed into a friendship with Dennis Wilson, the drummer for the Beach Boys.
Through Wilson, Manson met other music-industry players and grew increasingly fixated on stardom, all the while exercising greater and greater control over the group that came to be known as the Manson Family. He was, as investigative journalist Jeff Guinn put it in Manson: The Life and Times of Charles Manson , “the wrong man in the right place at the right time.”
After the Family members behind the August 1969 murders were apprehended, Manson was put on trial for murder along with them. He didn’t do any of the actual killing, but prosecutor Vincent Bugliosi argued that the Family did everything Manson ordered them to do—including murder. One of California’s longest-standing prison inmates, Manson died in November 2017.
Who were the followers known as the Manson Family?
In the public’s imagination, the “Manson girls,” as they came to be known, loomed almost as large as Manson himself. Mostly young women in their late teens and early 20s, Manson Family members were, in the late 1960s, not especially unusual. White, middle-class women all over the country were heading for cities like San Francisco and Los Angeles, inspired by other hippies to “turn on, tune in, and drop out.” Manson used his female followers to lure other men to both join the group and to support it—it was several of the women that initially met Dennis Wilson and brought Manson to his home.
Manson and the Family bounced around Los Angeles, eventually settling at Spahn Ranch, an old film-and-television set in the western San Fernando Valley. At Spahn, Manson exercised total domination over the group—members were reportedly forbidden from wearing eyeglasses or carrying money, and in Member of the Family: My Story of Charles Manson, Life Inside His Cult, and the Darkness That Ended the Sixties , Manson follower Dianne Lake (just 14 when she met Manson) detailed long nights of lectures, in which Manson instructed others at the ranch to take LSD and listen to him preach about the past, present and future of humanity. Some of the Family remained loyal to Manson even after he was sentenced to death (later converted to life in prison when the state of California overturned the use of the death penalty)—in 1975, one of Manson’s earliest followers, Lynette “Squeaky” Fromme, attempted to assassinate president Gerald Ford (her gun jammed and she was quickly felled by the Secret Service).
How did Manson fit into the Hollywood scene?
Manson had connections to a number of wealthy and influential people in Los Angeles. Through Dennis Wilson, he became acquainted with record producer Terry Melcher, son of actress Doris Day and boyfriend of model and actress Candice Bergen. At one point, the daughter of actress Angela Lansbury was a Family hanger-on, and though she wasn’t an official member, she used her mother’s credit cards to buy the Family’s food and clothing.
Melcher and Bergen lived at the house (10050 Cielo Drive) that Tate would eventually rent with her husband, director Roman Polanski, and Guinn posits that the house represented Manson’s rejection by the musical establishment—he’d courted Melcher as a patron, and even hosted the producer at Spahn Ranch, where Melcher politely listened to Manson and the Family perform. Manson pinned a great deal of hope on his connections with Wilson and Melcher, and it’s widely believed that once it became clear the two men weren’t going to significantly advance his music career (though Wilson did convince the Beach Boys to re-work and record a version of Manson’s song “Cease to Exist,” which they renamed “Never Learn Not to Love,” it was considered a flop), Manson became increasingly focused on violence.
Actress Sharon Tate takes a leap in the film Don't Make Waves (Silver Screen Collection/Getty Images)
Terry Melcher and Candice Bergen, who were formerly acquainted with Manson and lived in the house where Tate was murdered before Tate and Polanski moved in. (Dove / Express / Getty Images)
What was ‘Helter Skelter’?
Prosecutor Vincent Bugliosi, in his exhaustive attempt to put together a motive for the Family’s killings, landed on Manson’s obsession with what he called ‘Helter Skelter.’ Taken from the Beatles song of the same name (Manson told his followers the White Album was further evidence his theories about the end of the world were correct), ‘Helter Skelter,’ in Manson’s verbiage, was the pending race war that would see thousands dieand force the Family disappear to underground caves. There, they would wait until it was time for them to emerge and rule what was left of the world.
While Manson initially foretold that the first crimes would be committed by African-Americans against whites, the desperate state of his affairs in the summer of 1969—his musical aspirations had largely come to nothing and his Hollywood connections had died up—led him to shift focus and tell the Family they might have to begin Helter Skelter themselves, committing savage crimes in upscale neighborhoods in an attempt to demonstrate to African-Americans how the violence should be carried out. In 1974, Bugliosi published Helter Skelter: The True Story of the Manson Murders , the first major work examining the Manson Family and the best-selling true crime book of all time.
Overview of Spahn Ranch, a former Hollywood filming location where the Manson Family later took up residence. 1970. (Ralph Crane / The LIFE Picture Collection / Getty Images)
Who were the Manson Family’s victims?
On the night of August 8, 1969, Manson Family members Tex Watson, Patricia Krenwinkel, Susan Atkins, and Linda Kasabian (who would later turn state’s witness against the others) drove to Tate and Polanski’s home (the director was out of town working on a film). The eight-months pregnant Tate, who appeared in 1967’s Valley of the Dolls and was considered one of Hollywood’s most promising up-and-comers, was relaxing at home with her friends: celebrity hairstylist Jay Sebring, coffee heiress Abigail Folger, and Folger’s boyfriend Voytek Frykowski. None of them had any tangible connection to Manson or the Family other than being physically in the house previously occupied by someone Manson knew (Terry Melcher).
In Helter Skelter , Bugliosi writes that a witness for the prosecution described a March 1969 day on which Manson came to the house looking for Melcher and found Tate on the porch instead—“There could be no question that Charles Manson saw Sharon Tate, and she him,” writes Bugliosi.
Tate and her friends all died at the hands of Watson, Krenwinkel, and Atkins, as did Steven Parent, a teenaged friend of the house’s caretaker who happened to be pulling out of the driveway as the killers arrived.
The very next night, the same group of Family members, plus Leslie van Houten and Manson himself, set out to commit more murders. They drove to the house of grocery business executive Leno LaBianca and his wife, Rosemary, in the Los Feliz area of Los Angeles. LaBianca was totally unknown to the Manson Family—some of its members had reportedly been to a party in the neighborhood. According to Bugliosi, the LaBiancas were chosen at random after several hours of driving around upscale Los Angeles neighborhoods.
Leslie Van Houten, Susan Atkins, and Patricia Krenwinkel (left to right) walk from the jail section to the courtroom during the trial for their role in the Manson Family murders. (Bettmann / Contributor)
Why does Manson still loom so large?
The brutal nature of the murders committed by the Manson Family, in addition to the fact that some of the victims were celebrities, touched upon some of the deepest fears of the American psyche—the idea that you might not be safe at home, for one, and the idea that even ‘good girls’ are a few moves away from committing unspeakable crimes. They also cemented the idea in popular culture that the Free Love movement of the 1960s wasn’t free at all. It’s a sentiment further explored in Jeffrey Melnick’s Creepy Crawling: Charles Manson and the Many Lives of America's Most Infamous Family , in which Melnick, professor of American studies at the University of Massachusetts, Boston, examines the long-term cultural impact of the Manson Family. In “The White Album,” an essay appearing in her eponymous collection named after the Beatles album, Joan Didion uses the murders to argue that the ’60s had effectively ended—“the paranoia,” she wrote, was fulfilled.
لینک اصل محتوا در Smith sonian mag
برچسب ها